Delta Sky Club One Day Pass Exp 72212 - Bookshelf
In the Best Music Books series, readers finally have a quick-and-ready list of the most important works published on modern major music genres by leading experts.
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Search the Internet for the 100 best songs or best albums. Dozens of lists will appear from aficionados to major music personalities. But what if you not only love listening to the blues or country music or jazz or rock, you love reading about it, too. How do you separate what matters from what doesn’t among the hundreds—sometimes thousands—of books on the music you so love? In the Best Music Books series, readers finally have a quick-and-ready list of the most important works published on modern major music genres by leading experts. In 100 Books Every Blues Fan Should Own, Edward Komara, former Blues Archivist of the University of Mississippi, and his successor Greg Johnson select those histories, biographies, surveys, transcriptions and studies from the many hundreds of works that have been published about this vital American musical genre. Komara and Johnson provide a short description of the contents and the achievement of each title selected for their “Blues 100.” Entries include full bibliographic citations, prices of copies in print, and even descriptions of specific editions for book collectors. 100 Books Every Blues Fan Should Own also includes suggested blues recordings to accompany each recommended work, as well as a concluding section on key reference titles—or as Komara and Johnson phrase it: “The Books behind the Blues 100.” 100 Books Every Blues Fan Should Own serves as a guide for any blues fan looking for a road map through the history of—and even history of the scholarship on—the blues. Here Komara and Johnson answer the question of not only what is a “blues” book, but which ones are worth owning.
'The Truth Is Out There' and it's in this book. I loved it!" --Mike Mullane, Space Shuttle astronaut and author of Do Your Ears Pop in Space? Advance praise for Philip Plait?s Bad Astronomy "Bad Astronomy is just plain good!
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Advance praise for Philip Plait s Bad Astronomy "Bad Astronomy is just plain good! Philip Plait clears up every misconception on astronomy and space you never knew you suffered from." --Stephen Maran, Author of Astronomy for Dummies and editor of The Astronomy and Astrophysics Encyclopedia "Thank the cosmos for the bundle of star stuff named Philip Plait, who is the world s leading consumer advocate for quality science in space and on Earth. This important contribution to science will rest firmly on my reference library shelf, ready for easy access the next time an astrologer calls." --Dr. Michael Shermer, Publisher of Skeptic magazine, monthly columnist for Scientific American, and author of The Borderlands of Science "Philip Plait has given us a readable, erudite, informative, useful, and entertaining book. Bad Astronomy is Good Science. Very good science..." --James "The Amazing" Randi, President, James Randi Educational Foundation, and author of An Encyclopedia of Claims, Frauds, and Hoaxes of the Occult and Supernatural "Bad Astronomy is a fun read. Plait is wonderfully witty and educational as he debunks the myths, legends, and 'conspiracies that abound in our society. 'The Truth Is Out There' and it's in this book. I loved it!" --Mike Mullane, Space Shuttle astronaut and author of Do Your Ears Pop in Space?
In this book, award-winning saxophonist and writer Simon Spillett, widely regarded as the world's leading authority on Hayes and his work, painstakingly outlines a career which alternated professional success and personal downfall.
About this book
Forty years have elapsed since the death of the British jazz legend Tubby Hayes and yet his story still continues to captivate. Beginning as a precociously talented teenage saxophonist, he took first the local and then the international jazz scene by storm, displaying gifts equal to the finest American jazzmen, appearing with none other than Duke Ellington and proving almost single-handedly that British jazz need not labour under an inferiority complex. Hayes' triumphs during the 1950s and 60s enabled still later generations of English musicians to take their music onto the world stage. However his story has rarely been accurately recorded. Distorted by the folklore surrounding his tragically early death, aged only 38, much of what has been written, broadcast and recounted about Hayes has added only confusion to our understanding of his short but brilliant life. In this book, award-winning saxophonist and writer Simon Spillett, widely regarded as the world's leading authority on Hayes and his work, painstakingly outlines a career which alternated professional success and personal downfall. Using credible eye-witness recollection, drawn from conversations with Hayes' family, partners, friends and musical colleagues, unique access to Hayes' own tape, photographic and personal archives, and extensive contemporary research material, Spillett has reconstructed the trajectory of his subject's life both candidly and respectfully. Hayes' meteoric musical rise from boy wonder to youthfully mature virtuoso, from saxophonist to multi-instrumentalist and composer is faithfully documented, as is his struggle for relevance as rock, pop and the avant-garde took over the musical landscape in the 1960s and, for the first time, the opaque world of his inconsistent and troubled personal life is recounted in full. His unsettled childhood, his battles with addiction and ill-health and his difficult personal relationships are all exposed, and the confused accounts of his final days are unravelled and made clear as never before. The Long Shadow of The Little Giant also traces Hayes' path through one of the most vibrant periods of history, beginning in the austerity of post-World War Two London, through the "never had it so good" 1950s, the "Swinging Sixties" and into the privations of the "State of Emergency" early Seventies, and outlines the cultural and musical developments of the times which underpinned the life of arguably the UK's finest ever jazz musician.